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Creative Practices, Methods & Analysis

Unit(s) of assessment: Art and Design: History, Practice and Theory

Research theme(s): Digital, Technology and Creative

School: School of Art & Design

Consisting of creative practitioners, practice-based researchers and scholars concerned with creative practices, the Creative Practices, Methods & Analysis research cluster is at the cutting edge of creativity at NTU. Expertise in the cluster is centred around creativity: whether by producing research-informed creative outputs, or by employing creative practices as a research method. The analysis of creative practices in historical, political and cultural contexts also forms a key part of what the research cluster excels at.

The research cluster defines creative practices in a broad sense, including for instance digital arts, photography, graphic novels, film, sound, performance, illustration and graphic design. Whilst such creative practices are frequently encountered in day-to-day life, their capacity to have wide-reaching political, social and even ideological effects remain under-researched. The research cluster is attentive to and highly knowledgeable of the effects that creative practices can have in our world today.

The cluster has an established track record for internationally leading research that challenges and expands upon traditional academic conventions. With creativity engrained in the way the cluster views, produces and disseminates research, interdisciplinary research is not just welcomed, it is actively encouraged. Consequently, the cluster has a very strong track record of collaboration with research partners in a wide range of disciplines including architecture, science, technology, humanities, social sciences, law, business as well as with industry.

The research cluster consolidates the wide range of internationally leading research in relation to creative practices at NTU. Staff situated within the cluster very much welcome enquiries from prospective PhD applicants. Building interdisciplinary collaboration across the University as well as with external partners is a key priority for the research cluster. General enquiries can be directed to Marco Bohr at marco.bohr@ntu.ac.uk.

Research Themes

Digital, Technology and Creative

Our digital, technology and creative research pushes the limits of virtual reality, artificial intelligence and digital design, shaping the future of creative expression and immersive experiences.

Cultural Heritage Research Peak

NTU's Research Peaks exemplify our outstanding research and pioneering researchers who work to develop world-leading projects that have life-changing and global impact.

Publications

Adlam, C. (2024).  "The Bobrov Affair: Creating a Graphic Novel Adaptation of a 'Lost' Russian-Empire Crime Novel." In: Wells-Lassagne, S., Aymes, S. (eds) Adaptation and Illustration. Palgrave Studies in Adaptation and Visual Culture. London: Palgrave Macmillan, pp. 199-216. 

Adlam, C; Whitehead, C. (2024). "Lost Detectives: Intermedial Adaptations of Nineteenth-century Russian Crime Fiction. A Conversation", Adaptation, 17. 1: 21–34, 

Bohr, M. (2024), Visual Counterculture in Japan: Political Shifts and the Dynamics of Resistance. London: Bloomsbury.

Bohr, M. (ed.) (2022), Capture Japan: Visual Culture and the Global Imagination from 1952 to the Present. London: Bloomsbury.

McConnell, S., 2016.  Interjuli, 02/16, pp. 104-123. ISSN 1868-2049

McConnell, S., 2019.  In: Male, A., ed., A companion to illustration. Blackwell companions to art history. Oxford: Wiley-Blackwell. ISBN 9781119185581

Current PhD candidates:

  • Sam Coope (PGR)
  • Marion Derouineau (PGR)
  • Lucia Hubinska (PGR)

Related Projects:

Adlam, C. (2024). The Russian Detective. London: Penguin / Jonathan Cape, 112 pp. 

Adlam, C. (2023). Girton Time. Å·ÃÀ¾ÞÈé: Beam Editions, 136 pp. 

Hamilton Knight, M. (2022). Pevsner in Camera: Martine Hamilton Knight, Djanogly Gallery, Lakeside Arts Centre, Å·ÃÀ¾ÞÈé.

Media Coverage:

Rachel Cooke (2024). "The Russian Detective by Carol Adlam review – Exquisitely Illustrated Celebration of Early Crime Fiction". The Guardian / The Observer. 25 March. 

Muireann Macguire (2024). [Review] "Frozen Dances: A Graphic Adaptation of a Forgotten Russian Novella, by Carol Adlam", Times Literary Supplement, 21 June.  

“The Pevsner way of seeing” [review of Martine Hamilton Knight’s exhibition].

PhD Funding

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