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Martin O'shaughnessy

Professor Martin O'Shaughnessy

Department of Journalism and Media

Staff Group(s)
Journalism and Media
  • Publications:

Role

Professor O’Shaughnessy  is an Emeritus Professor of Film Studies in the Department of Journalism and Media.

Before retirement, he was the Research Co-ordinator for the Media and Communications research unit.

Career overview

Professor O'Shaughnessy is a leading specialist on cinema and politics, especially but not only in relation to French film. Topics covered by his work include:

  • European cinema in the current crisis
  • Cinema and the machinic
  • Film and work / film and worker suicide
  • Film, debt and gifts
  • The films of Laurent Cantet
  • The films of Jean Renoir particularly the committed works and the intersection of politics and style.
  • French cinema and colonialism
  • Stardom, genre, masculinities
  • Cinema and precarity
  • Cinema and plasticity

Research areas

Research areas

Professor O'Shaughnessy has supervised or is supervising PhDs on:

  • The Children’s Film Foundation
  • Poetic realism in contemporary British Films
  • British soap operas and alcohol education
  • Beyond the new French extreme cinema
  • Saudi social media as an alternative public sphere
  • The press and democratisation in Iraqi Kurdistan
  • The gueules cassées of World War One and film representation
  • Contemporary French political cinema
  • The work of Spanish cantautores (singer-song writers) in the transition to democracy
  • French film and neoliberal labour
  • Drag cultures in Å·ÃÀ¾ÞÈé
  • Queer temporalities in American Independent cinema

Unfortunately, being retired, he is no longer available to act as a PhD supervisor. For more information on Research Degrees at NTU, visit the Doctoral School.

External activity

  • External examiner for PhDs, MPhils and MRes degrees at the Universities of Leeds, Sheffield and Newcastle and at Queen Mary's and Kings (London University)
  • Previously external examiner for French at BA or MA level at De Montfort University, Manchester Metropolitan University, Keele University, Newcastle University and Warwick University.
  • Professor O'Shaughnessy regularly presents films to non-university audiences, both in Å·ÃÀ¾ÞÈé and further afield.

Professor O'Shaughnessy's major collaborations are as follows:

  • Co-organised two international conferences: 'French Cinema and Commitment', Å·ÃÀ¾ÞÈé, September, 2002 (with Graeme Hayes) and 'La France et la Crise' (annual conference of the ASMCF) in September 2010 (with Chris Reynolds)
  • Co-edited book Cinéma et Engagement, Paris, L'Harmattan, 2005 (with Graeme Hayes)
  • Co-edited number of French Politics, Culture and Society, 23:3, 2005 'French cinema and globalisation' (with Graeme Hayes)
  • Co-edited special number of Modern and Contemporary France, 'La France et la Crise', 20:2, 2012 (with Chris Reynolds)

Professor O'Shaughnessy has also been involved in a range of collaborative projects with colleagues from the USA, France and the UK.

  • Professor O’Shaughnessy  was part of a team of European academics, led by Prof. Ana Manzanas of the University of Salamanca, entitled Hospitality in European Film
  • Professor O'Shaughnessy was awarded one semester or half-year sabbaticals by the AHRC in 2003-4 and in 2012-13. The 2012-13 award was to support the writing of a study of the films of Laurent Cantet.
  • A number of smaller awards for research travel and conference organisation have also been awarded.

Publications

Single authored books:

. Edinburgh: Edinburgh University Press. ISBN

Manchester: Manchester University Press, 2015. ISBN 9780719091506

London: I.B. Tauris, 2009. ISBN 9781848850576

Oxford, Berghahn, 2007. ISBN 9781845453220

Manchester: Manchester University Press, 2000. ISBN 0719050634

Journal articles:

. Film-Philosophy 28:3, 2024, 428-453

French Cultural Studies34(1), pp. 106-125.

SubStance, 46 (1), 2017. ISSN 0049-2426

South Central Review, 33 (2) 2016, pp. 44-56. ISSN 1549-3377

SubStance, 43 (1) 2014, pp. 82-95.

Framework: the Journal of Cinema and Media, 53 (1) 2012, pp. 155-171.

South Central Review, 28 (3) 2011, pp. 26-44.

L'Esprit créateur, 3, 2011, pp. 59-73.

Modern and Contemporary France, 19 (4) 2011, pp. 427-442.

Book chapters:

. In: E. Cuter, G. Kirsten, H. Prenzel eds., Precarity in European Film: Depictions and Discourses, Boston: De Gruyter, 2022, pp. 31-48.  

In: M. TEMPLE and M. WITT, eds., The French cinema book. (2nd ed.) London: BFI Palgrave, 2018, pp. 297-303. ISBN 9781844574667

In: E. MAZIERSKA and L. KRISTENSEN, eds., Contemporary cinema and neoliberal ideology. Abingdon: Routledge, 2018, pp. 217-232. ISBN 9781138235731

In: J. WARDAUGH, ed., Politics and the Individual in France 1930-1950. Oxford: Legenda, 2017, pp. 41-57. ISBN 9781909662247

In: A. FOX, M. MARIE, R. MOINE and H. RADNER, eds., A Companion to Contemporary French Cinema. Malden, MA: Wiley-Blackwell, 2015, pp. 117-135. ISBN 9781444338997

Journal special number:

La France et la crise, Modern and Contemporary France, 20:2. Reynolds, C. and O'Shaughnessy, M. eds.

Press expertise

Professor O'Shaughnessy can offer comment on the French and other responses to the crisis; contemporary European film; contemporary political cinema; and French cinema.